| Helen Frye's New Path | ||||||||||||||||||||
| Without Jack Frye | ||||||||||||||||||||
| Sedona Legend Profile Series | ||||||||||||||||||||
| The date June of 1950, Helen Varner Vanderbilt Frye was now all alone. Jack was gone, and to add insult to injury he was gone with a younger woman. Helen was left all alone, with the ranch, the House of Apache Fires, and Sedona. The latter being a pretty hard place to start over with a broken heart. Sedona has a way of reflecting your energies back to you tenfold. Helen spent many a day wandering the wings of her and Jack's newly completed dream home, desperately trying to feel Jack's presence. The solace she was seeking was not to be found however, the red rock walls merely reflected her soft crying. The house was empty without Jack: a monument to what could have been, it had no heart or soul. The House of Apache Fires meant nothing to her without her beloved Jack. |
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| Helen knew she would never marry again. Sometimes a woman knows what she has lost. She would live out the rest of her life with only her memories, as "Helen Frye." No man would ever replace Jack Frye, no man could possibly fill his shoes! For the next 29 years of her life, Helen Varner Vanderbilt Frye would speak in anguished tones and misty eyes about the man of whom she always felt was her soul mate.
How to move on, where to start...................................... There was not much to Sedona in 1950, the ranch was extremely isolated. Helen's new life was quite different than what she was used to. Her goal was to pull herself together and find some purpose other than Mrs. Jack Frye. Now there was time to walk and ride the many acres of beauty that was Smoke Trail Ranch. No more rushed flights to New York, or Paris. It was a time of reflection, therapeutic, it enabled her to cultivate an inner yearning. Helen was searching for something to fill her empty heart, spiritual truths and secrets that could not be found in the corruption of man's churches. Unfortunately, something was searching for Helen as well, it found her in the end, see Broken Promises and Opportunists. |
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| May 31, 1950 | ||||||||||||||||||||
| Reporters descend on Sedona for news of the pending Frye divorce. | ||||||||||||||||||||
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| Please click on pictures for larger files | ||||||||||||||||||||
| This is a great historic picture of the House of Apache Fires, showing what it looked like in the mid 1950's. Although it does not do Helen justice. The accompanying article with picture ran on December 12, 1957. The area behind Helen is the outside of her upstairs studio where she painted. | ||||||||||||||||||||
| Sedona Grows Up Goodbye to Quiet Life By Carle Hodge Sedona Arizona December 12, 1957 Oak Creek Canyon, the backdrop for more than a score of reel-life dramas, is the locale for a real-life story almost as thunderous. Growth is the plot. The reason is the same which lures horse-opera makers into this spellbinding pine-headed country of great, naked, red rocks. Scenery is the magnet, scenery and friendly 4,200-foot-high climate. Or as Helen Varner Frye, a settler of some 16 years duration (a tenure that makes her an old-timer by Sedona standards) puts it: "It's something you can't put into words. It's a feeling." This feeling has caused 61 new residences to sprout this year alone. By the gauge of a Maryvale, such an increase might be piddling. |
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| For a village, though, which a dozen years ago was little more than a dusty widening on U.S. 89-A, it is a spreading-out of some note.
When Postmistress Frankie Tanner came down from Flagstaff in 1948, her little outpost of the government catered to less than 150 pioneers. Now there are nearly 2,000 more. "I came here because it was nice and quiet," she says. A boom must inevitably reduce charm and dilute the casual life. "It's still nice," the postmistress smiles. Change came to slowly Oak Creek about the same time as Frankie Tanner. Fannie Belle Gulick brought in a well at her ranch on Grasshopper Flat--around here, anything larger than a flowerbed is a ranch. She proved it could be done. Theretofore Sedona had sucked its water from gurgling Oak Creek. What a difference wells made can be seen in the flexing of trade. That same year, Don Willard started building the town's first motel, the Canyon Portal. The rest of the business district consisted of two stores and one garage. |
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| Now from his hardware store Willard can peer up and down the highway at, among other establishments, 13 motels, nine restaurants, the Meteorite Museum, and an assortment of arty or smarty shops that could do credit to Santa Fe or Greenwich Village.
Sedona also acquired, uniquely perhaps for so small a populace a hard-topped airport, its own little theater group (the Stagecoach Players), artist colony and Alcoholics Anonymous chapter. While Coffee Pot subdivision bloomed with modest dwellings of the pensioners who make up a majority of Sedona's added population, more dreamy souls were giving it architectural spice. There is, for instance, the "Indian Ruin" which Jack and Helen Frye erected out toward Chavez Crossing--and the cuernavaca-like house built by writer-photographer Ed Ellinger above his hillside pool. Unfortunately, the swelling settlement has its price tag. Motel keeper and Justice of the Peace Elmer ("The Law West of Oak Creek") Purtyman, a rare native, recalls with a lime expression the 320 acres his father peddled in 1920 for $8500. Just one-half acre of those 320 sold three years ago for $8,000. Besides, some early-comers consider that Sedona has become too homogenous and excessively peopled. Notable among them is Ellinger, who currently considers moving to the lonelier Patagonia area down south. But the tide surges the other way. From the hum in land-hawking offices, it's obvious that most people agree with the realtor's sign on the edge of town. The bill beams, "How beautiful can life be?" |
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| April 19, 1959 Helen Varner Frye, (right), from left: George Babbitt Jr., Nick Duncan, (her ranch foreman) and Madeline Hunter Babbitt, as they stood near the Red Rock Loop Road on this chilly spring day. They were searching for a natural amphitheater for Canyon Kiva, the predecessor of the Sedona Arts Center. Mrs. Frye is a great lover of animals and is always accompanied by a couple of dogs. |
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| These photos were taken somewhere off the north end of Upper Red Rock Loop Road | ||||||||||||||||||||
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| Media Photo Op: Helen above and below with friend Nassan Gobran, both were artists and early founders of the Sedona Arts Center. Nassan for a time attempted to turn the House of Apache Fires into an arts center. Even though the scanned images are not real sharp, it is obvious looking at the originals what a beautiful woman Helen was. These pictures are on file at the Sedona Historic Society. The only way I was able to get copies of them was to photograph the photographs. | ||||||||||||||||||||
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| Helen Frye Celebrates Birthday With Party Sedona, Arizona, December 5, 1968 Helen Frye, long time Sedona resident, celebrated her Birthday last Tuesday night in company of some of her best friends. They were Sally Hallermund, Fay Crenshaw, Pat Purchase and Elsie Riordan. The group went to the Oak Creek Owl for dinner and then to the King's Ransom for cocktails and birthday cake. This little group surprised everybody by an unusual display of talent. The usually excellent entertainment of Art Woolley and Terry Fisher were augmented by Pat Purchase, who played piano and contributed a few songs, a few well-played piano numbers by Elsie Riordan, some torch songs rendered by Fay Crenshaw, and some Dixieland tunes played on the flute by Bert Powell. Sarah Winters joined the little group with her fine song styling. All together Helen's Birthday Party turned into quite a little variety show. |
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| Dear Editor: We who've lived in the Canyon seventeen years, or more, and shared that doctorless period with earlier settlers, know and appreciate the fact that there is a doctor in the Canyon. We haven't forgotten the days when a member of our family could go down with a bad case of pneumonia, or the kitchen stove blow up and change your cook's face to a mass of burning flesh, and not a doctor to be had for love or money. All you could do was load the dangerously ill onto the bed of a pickup, and head for Cottonwood some twenty miles away, and hope your patient would survive the exposure. That was the best you could do unless you happened to know about Dr. Leo Schnur, some hundred and thirty three miles away from your home. He was the M.D. at the Grand Canyon Hospital, a human being with the meaning of his profession most predominate in his heart. If you could reach him by phone, Dr Leo would set a speed record between his office there and your country bedside, regardless of weather, high water, or muddy roads. Sedona is happy and proud Dr. Leo and his wondrous assistant and registered nurse, who happens to be his wife and the mother of his children, now lives among us. His clinic and ability equals the best in the east and the west. We of Sedona are fortunate to have them. Signed: Helen Varner Frye |
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| Helen's love for children and those around her was legendary. This one picture to the right is so beautiful, so poignant, words cannot possibly describe it. Helen gazing lovingly down at her adopted grandchild. The child looking back into Helen's loving face with a look of joy and warmth. This photo captured at the Wings of the Wind estate in the fall of 1967, is now etched in time. The visual of a woman, whose kindness and benevolence preceded her at all times. (Note: Helen's hair color, very chic for the time period, is almost a platinum silver. In her Vanderbilt and TWA years, Helen fine tuned her innate sense of fashion and refinement.) |
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| These beautiful photos, and hundreds of others are being scanned and cataloged for use on this website. The photographer was a dear friend of Jack and Helen Frye all through the years. Her name is Rosie Armijo. The child in the photos is her daughter, Elisa. It is her generous sharing of these priceless photos that will propel Helen Frye's legacy into eternity! | ||||||||||||||||||||
| Here we see Helen again in 1964, with the same child, the personification of the coiffed celebrity she truly was. A glamorous and stunning beauty, her close friends remember this appearance as merely the reflection of her inner radiance. | ||||||||||||||||||||
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